We are excited to catch up with Tilly Bungard about her magazine project Fear Naught, her work in diversity & inclusion and her time at Queen Mary studying Drama.
What are your best memories of your time at QMUL?
Like most Drama alumni, my fondest memories take place in the Pinter Studio, where most of our performances happened.
These vary hugely from the absolute terror (and then elation) of exam pieces to the hilarity of watching my housemates perform ridiculous sketches at the student run variety evening “Slappin’ da Bass”. It’s mad to think of what’s taken place over the years in that studio for so many students. There was a tradition for doing a slightly tipsy last run-through of QMTC plays the night before public performances opened to attempt to shed any nervousness of messing it all up on the night (to varying degrees of success).
My absolute favourite night of the whole three years was during the “Performance Composition” module (if you’re a current Drama student, this is one you absolutely must sign up for). Run at the time by the wonderful Stacey Makishi, whose practice combines radical mutual openness with the bizarre and surreal.
During this module students performed 5-10 minutes solo shows every week to the public, providing a constant state of terror and adrenaline for everyone enrolled on it. On the last week, after the graded performances had been completed, we each performed “in the style of” one of our class mates, treading the fine line between caring for and honouring our peers’ creativity whilst performing some of the most bizarre pieces I’ve ever seen, to hilarious effect.
Tell us about Fear Naut. How did it come about and how can people get involved?
Fear Naut is a magazine conceived and created from start to finish by women who live on boats.
One year after graduating from QMUL I moved onto a narrow boat on in London, something many students will have considered living and studying right next to the Regents! It wasn’t exactly new to me, I was born on a barge in Bristol and have always worked on boats, but I loved it immediately. What I loved most were the people I met. The boating community is so supportive, caring and full of huge personalities. I found quickly that so many of us were creative in some way, but living on a boat is like a part time job, and so many of my friends rarely had the time to give their creativity the attention it deserved.
“We stand for the empowerment of women and non-binary folk, strong community, DIY, and the freedom to live as you please. Boat women are creative, brave and independent. We have a wealth of creativity and experience with a unique and special view of the world and we want to share that with you. This is a magazine for people living on the water, for those interested in alternative ways of living – from creatives and dreamers, to activists and environmentalists and many more.”
Boat Women had such a unique view of the world, and the creativity to translate that to something that a much wider audience would find interesting and inspiring.
Once I’d had the idea the rest happened so organically, I posted on the London Boat Women Facebook group (best FB group in the world!) and 15 women came to the initial meeting wanting to be involved. This was slightly terrifying, but the numbers quickly shrunk to three, Asha, Estelle (who luckily owns a Risograph printing studio in Hackney Wick!), and me.
We’ve just published Issue 2 and already can see how much the magazine will grow and develop with each Issue. We’re both learning as we go along. Issue three is on “Growth” and will come out in early summer. If you’re a boating lady or non-binary person you can email us your ideas for contributions at email@example.com.
Who or what are your inspirations?
My friends and community inspire me more than anything, those people who have an idea and make it happen. It’s those people that have turned me from someone who would read a book and think “How does anyone have the time and tenacity to put so much work into something?” to someone who thinks that if you want to do something, you can, and that’s the only way it will happen.
You work as a Diversity and Inclusion Facilitator. How can arts and culture be genuinely more inclusive?
It has to start from the top down. I don’t think an organisation run by straight white men can ever be truly inclusive, we need people in power within the arts who are black, trans, non-binary and neurodivergent to be making the big decisions, and only then will we get to the place we need to be.
What advice would you give to Drama students about making their own projects and life after QM?
You’ll all go through that period of time when you’re applying for every job on ArtsJobs that comes through (and definitely do this!) but you don’t have to wait for someone to employ you to do something worthwhile. Whether it’s a community project, creative project, or skill you’d like to learn more about, do it! Say yes to as many things as you can, you never know where they’ll lead.