We caught up with Drama graduate and now staff member Estelle about why she thinks Queen Mary is different and an exciting place to study Drama.
Active Research university – your tutors and academics are not only delivery the highest quality teaching but are also delving deep into their own research and finding endless hours in the day to explore the topics in their specialism, which range from verbatim theatre to foley sound work, to changing the policy of the arts in education, to award winning performance art creation and so much more.
Being the only connected campus university in London. A big thing for me coming to university four years ago was wanting the full experience, having my accommodation in Halls and seeing all my mates go to their rooms just a stones throw away, and to be able to have that on this campus with very exciting and eclectic architecture and views by the canal and lots of grass all around it, and at the same time be able to look down the stretch of the Mile End road and see the big city buildings is an amazing combination. For me, as someone who spent a lot of their university life in central London when not in class, whether that was working, seeing shows or taking full advantage of the nightlife, have an entire city on your doorstep is a huge bonus to the university experience.
Opening your mind – the things I learnt during my BA drama undergrad and things I now thinking about in any role based around being a practitioner drama are skills and concepts that I hadn’t even thought about before my time here, but are now integral to my thinking and creating. The social and political basis of all artwork and the eye in which you look at that is so skill fully trained during your time here that you look at so much artistic content so differently, and you bring these elements such as accessibility, agency, diversity, and relevance into play in everything you do after that, making you so much more of a well rounded and progressive creator.
Performance, Possession & Automation – a collaborative research project led by Nick Ridout and Orlagh Woods, in collaboration with Dhanveer Singh Brar – invites you to two online conversations.
Possession & Modern Acting
Friday 4th June, 6-8pm (BST)
Shonni Enelow, Julia Jarcho and Nicholas Ridout
Possession: an actor seems to have been taken over by someone else.
Automation: an actor is someone whose actions are not their own.
In this public conversation, Shonni Enelow, Julia Jarcho and Nicholas Ridout explore ideas about possession and automation in relation to 20th and 21st century experiences of acting, theatre and the movies. Do they hold clues to the roles that both possession and automation play in contemporary life, and to how we might think and feel about them.
Click here, to book your place and for further information.
What occurs when “lose her” is recast as “loser”, and covered over once more to become “winner”? And why in each reversioning does “pride” persist, but never in the same guise? These are questions which arise from listening to the Jamaican essayist of the song form, Alton Ellis.
By losing ourselves in Alton Ellis’s losses and revisions, Edward George and Dhanveer Singh Brar believe it is possible to begin to open up an auditory dimension to the question of spirit in Jamaica, the Caribbean, the diaspora, and in turn, modernity itself, as it was being rendered towards the end of the twentieth century.
Click here, to book your place and for further information.
Performance, Possession & Automation is a research project exploring automation and possession as two ways of thinking about what happens to human subjects who act in ways that they do not themselves fully control. How can making and thinking about performance contribute to thinking about these ideas?
In partnership with Fierce Festival, performingborders and Transform Festival
This project is supported by:
Collaborations Fund of the Faculty of Humanities and Social Sciences, Queen Mary University of London (QMUL) The Centre for Public Engagement, QMUL Strategic Research Initiative, School of English and Drama, QMUL
Conducting conversation / Connecting Creatively / Creating Courageously / Courageously Carrying On / and Cabaret! / Come on and join us!
Peopling the Palace is a yearly festival of performance, workshops and events that showcases the work of Queen Mary academics, artists, current students and alumni.
This year’s theme is care and features over 25 events from outrageous cabaret nights to a day exploring the rituals of care. In times of global unrest and pandemic, Peopling the Palace Festival, creates a space to explore how important caring about each other is. The festival tackles important contemporary issues of racial inequality, mental health, care provision, neurodivergence, art in a crisis, climate justice and aging.
All events are free to attend and open to all. Advanced booking required for all events.
I am Leah (13 June) A vital new play inspired by the stories of survivors of the 1994 Genocide Against the Tutsi in Rwanda.
Dadders (19 June): Escape to the Meadowdrome with acclaimed artists Daniel Oliver and Frauke Requardt (The Place, Latitude Festival) to delve into their experiences of neurodivergent parent.
Last Gasp WFH (19 June):Playing with the fragility of technology, particularly the unpredictability of Zoom, the team found new avenues to the classic Split Britches (Lois Weaver and Peggy Shaw) aesthetic of broken down theatrical conventions, exposing the self on stage.
The Tempest in English and Spanish (17 June):This interactive experience explores how the arts can break the stigma around autism.
The Possibility of Colour (12 June):Dystopian play about a new miracle cure and explores themes around mental health voice hearing, synaesthesia, neuro-diversity, Artificial Intelligence, privatised health and the illusion of choice.
Cabaret & Showcases
Alumni and Current Student Performance Showcase Nights (10,15 & 17 June): Be shocked, surprised and inspired when you support new artists and performers as they show their latest works.
Her-Pees (9 June) a comfortable, inclusive, and questioning performance night ahead of their Bethnal Green Working Men’s Club Debut.
Friday Night In (Film Night) (11 June): A small screen celebration of work from QMUL students, alumni, staff and other exciting filmmakers.
Cossy Fanny Tooty Cabaret (16 June): A cheeky performance cabaret curated by Vivian Harris.
Workshops, Conferences & Conversations
A Queer Climate Justice Workshop (16 June)by Queen Mary Theatre Company in the lead up to a new show, The Cabaret at the End of the World.
Free Creative Skills Workshops (14-15 June) to help QMUL students and the community get into the creative industries with Creative Skills Academy.
Workshop on Writing Race (16 June) for sixth-form students with acclaimed artist Vanessa MacAulay.
Enlightening Conversations and Conferences: ‘Women, Theatre, Criminal Justice’ with Clean Break, ‘Making During States of Emergency’, ‘Cults, Conspiracy and Pseudoscience’, ‘Mental Health and the arts’ and ‘How do Universities Care for Students Learning’.
LAST CALL: PAID OPPORTUNITY FOR BLACK STUDENTS: The Mending Room: We’re looking for four students who share a Black British, Caribbean or African Heritage, to support and document a unique project – part of 81 Acts of Exuberant Defiance (humanifesto pictured above) – with the legendary theatre arts activist Tony Cealy.
Led by Tony, you will work over ten Saturday mornings starting 10 April and culminating in a share event on 5 June. If you are in Second/Third Year or are a postgraduate, please contact Ali Campbell (firstname.lastname@example.org) ASAP to get involved, or see this blog post.
2021 UNDERGRADUATE OFFER HOLDER DAY LAST ONE OF THE YEAR
Nisha Ramayya (English/Creative Writing) is taking part in lots of events this month: Wednesday 7 April – Nisha is giving a keynote talk on multivocal poetics at ‘Un/crossing language cracks: exophonic practices and realities’, organised by the University of Montreal. Also Wednesday 7 April – Nisha is participating on a roundtable on ‘radical inclusivity, diaspora, and poetry’, hosted by Camden Arts Centre in collaboration with The 87 Press. More infoThursday 8 April – Nisha is presenting new work on mathematical romance, underwater listening, and speculative frequencies at the ‘audiograft festival of experimental music and sound art’. More infoFor more events happening across the faculty of Humanities and Social Sciences see the HSS events newsletter.
Celebrating 50 years of Bangladeshi Independence – Alumni story In this special blog post, alumna Sabiya Khatun (English BA, 2011) talks about a new exhibition in collaboration with Tower Hamlets Archives and the National Portrait Gallery, Bangladesh 50, which will explore the impact of the Bangladesh Liberation War of 1971, and the experience of the Bangladeshi community, many of whom came to settle in Tower Hamlets. In the post, Sabiya talks about how getting involved with the exhibition as a Citizen Researcher resonated with the topics she was interested in during her degree, and why members of the Queen Mary community should go and see it.
Costanza Casati In this profile, writer and screenwriter Costanza Casati (English and Film Studies BA, 2017) talks about her debut novel, The President Show, which follows Iris, a nineteen-year-old thief who is captured and forced to take part in the state-run President Show, a reality programme where ‘Lovers’ have to entertain politicians in a bid to win their freedom. Described as Vox meets The Hunger Games, The President Show is a story of resilience, abuse, betrayal and hope. Costanza also shares details of her “bookstagram” page @youngpeopleread, where she interviews acclaimed debut writers. Read the profile.
Miranda Burns In this profile, Radio Presenter at Capital and Capital South Coast and Ambassador for Endometriosis UK, Miranda Burns (Drama BA, 2015), reflects on how her weekly slot on QMSU’s Quest Radio allowed her to develop the skills and confidence needed for her successful career in radio, on some of her career highlights to date and how she has had to adapt her shows in response to the pandemic, and shares how she uses her social media as a safe space to talk about women’s health and her own infertility struggles. Read the profile.
Registration is now open for both a standalone keynote paper by Anne-Marie Beller and Kerry Featherstone, titled ‘“No greater spiritual beauty than fanaticism”: Women Travellers’ Encounters with Islam in the Nineteenth Century’ (Thursday 6 May) and a colloquium of six themed discussion panels on the expression and representation of religion in nineteenth-century popular culture texts of all kinds. (Friday 7 and Saturday 8 May). The events are free but registration is required. Thanks to Claire Stainthorp (English) for sharing this.
Medieval Solitude in Maria Dahvana Headley’s The Mere Wife 30 March – 5pm (online) – Online, Free SED alumna Hetta Howes will be speaking at the Solitudes Past and Present seminar about loneliness, solitude and transformative natural spaces in a contemporary re-telling of Beowulf. All are welcome but booking is required here.
News & Links
Jerry Brotton (English) launches his new BBC series Blood and Bronze. ‘Blood and Bronze’ is the story of Benvenuto Cellini (1500-1571), one of the Italian Renaissance’s most controversial yet frequently overlooked artists, a man who wrote one of the most dramatic autobiographies in art history and lived and worked in the greatest courts and cities in Italy and France, from Florence, Rome, Mantua and Paris to Fontainebleau. He was a goldsmith; sculptor; painter; poet; soldier; musician; thief, priest and murderer.
Asia Khatun (English with Creative Writing Alumna) is editor of Thawra, an online literary magazine that provides a platform for minority creatives from budding short story authors to critical academic writers.
Michael Mckinnie (Drama) Michael’s new book Theatre in Market Economies is published by Cambridge University Press. The book explores the complex relationship between theatre and the market economy since the 1990s. Bringing together research from the arts and social sciences, the book proposes that theatre has increasingly taken up the mission of the ‘mixed economy’ by seeking to combine economic efficiency with social security while promoting liberal democracy.
Susheila Nasta (English) is featured on the Penguin podcast on Sam Selvon’s The Lonely Londoners.
Nisha Ramayya (English/Creative Writing) has joined the Ledbury Poetry Critics programme as a mentor. Mentors are pictured above. It is a programme to encourage diversity in poetry reviewing culture aimed at emerging critical voices.
She has also published an essay-in-progress. Listening to shadows skoosh in the ‘Sonic Continuum’ issue of The Contemporary Journal (hosted by Nottingham Contemporary). The piece is creative-critical and focusses on soundwalks, sci fi, and submarine cables.
On Wednesday 17th March, 5.30-7pm, we are holding a live online panel discussion of Drama alumni working in the theatre.
This event will give you the opportunity to hear about the career journey and experiences of our brilliant panellists, how they have adapted in the past year, and gain their advice about actions you can take now to build your career during the pandemic.
This session will not be recorded – please come along with your questions to the live event! Book your place here!
Beth Watton – Artistic Director at Poplar Union. Graduated from Queen Mary with MA Theatre and Performance, 2018.
Charlotte Potter, Freelance Producer; Marketing and Production Manager at COLAB Theatre Productions; Social Media Manager at Jury Games; Manager at Escape Rooms. Graduated Queen Mary with MA Theatre and Performance 2019.
Ellie Simpson, Producer at Pleasance Theatre. Graduated from Queen Mary with BA English and Drama 2009.
Lucy Dear – Applied Theatre Practitioner, currently working with Young Vic Theatre and Southwark Playhouse. Graduated from Queen Mary with BA Applied Drama, 2006.
OFFER HOLDER INTERVIEW DAY Sat 13 Feb, Online We have our next opportunity in January for our 2021 entry offer holders to hear an overview of their course, meet a member of staff for an interview and do a taster session. Email us for information
TASTERS FOR YEAR 12/13 STUDENTS & TEACHERS We’ve just launched 2 new tasters on Sat 13 Feb:
Public Space and the Geography of Loneliness 4 Feb, Online Our very own Matthew Ingleby will speak on Public Space and the Geography of Loneliness is the first event in our series of The English Association’s special interest group on Loneliness and Technology.
“In honour of #lgbtqhistorymonth, we have decided to theme our first creative workshop of 2021 on love! The prompts for this workshop will be shaped around the works of queer writers and artists, using their pieces as inspiration for creative creation”.
The series continues online this term, with an exciting line up of speakers from literary scholars and historians to neuroscientists. The seminars take place on Tuesdays at 5pm (UK time). All are welcome but booking is required. You can see the full line-up of speakers here and register for attendance here.
Bechdel Theatre co-run by Drama graduate Pippa Sa has received Arts Council funding to help develop the pioneering platform from a 2-person passion-project into a sustainable, equitable company, supporting, amplifying & connecting women, trans & non-binary people who work in & care about theatre & live performance.
Rosie Dastgir (English) has a short story in an anthology of fiction and non fiction and recipes called Desi Delicacies: Food Writing from Muslim South Asia – about south Asian Muslim foodways – edited by Professor Claire Chambers at York University and just published by Picador India. Her story is called A Brief History of the Carrot – !
Figs in Wigs (Drama alumni) publish a new printed version of their Little Wimmin through Salamander Street.
Quest Radio and The Museum of London project saw two groups of QM students listening back to recordings of London in the past.
Very exciting news is that the group that explored recordings from London’s LGBTQ+ Club Scene is going to be included in Museum of London’s online content for LGBT History Month!
Students in the LGBT research group include Eve Bolton, Kirsten Johnson, Georgia Wood and Keir McEwan.
Martin O’Brien (Drama) is interviewed for Afternoon Deelight podcast by Jordy Deelight. He says ‘it was brilliant to talk about Cystic Fibrosis and my work with someone else with it. We dig into early performance work in Poland, illness, Bob and Sheree, and survival.’
Martin has just launched a project with Shabnam Shabazi and Joseph Morgan Schofield. It’s The Sunday Skool for Misfits, Experimenters, and Dissenters. It will be a free 12 week course, every Sunday for artists in the early part of their practice: The Sunday Skool – VSSL studio (vssl-studio.org)
Susheila Nasta (English/Wasafiri Magazine) will be one fo the judges for theDavid Cohen Prize for a full life’s work only awarded every two years. Fellow judges include: Hermione Lee (Chair), Reeta Chakrabarti (BBC), Peter Kemp (The Times lead fiction critic) and Maura Dooley (poet, Prof at Goldsmith’s, previous Director of Southbank Literature). Previous winners of this illustrious include: Edna O’Brien, Tom Stoppard, Harold Pinter, Hilary Mantel, David Holroyd, Julian Barnes, Tony Harrison, Seamus Heaney, VS Naipaul. Read more here
Matthew Rubery (English) writes about how maintaining a critical distance with books might not be around for long on Public Books:
“Scholars have been conditioned to respond to talk of likes and dislikes with embarrassment, if not outright contempt. But the facade of critical detachment may be on the way out,”
Vote to Help Franciska get recognised. Voting starts on 4 Feb 2021 (today) and will be open for two weeks. Here is the link: https://www.highlightsofhungary.hu. The show is listed in the last category as ‘Nagyerdei Stadion – Hamlet‘
We caught up with Franciska and here’s what she said…
About her nomination
“I am writing to you because I directed a socially distanced Hamlet last summer and it has been named as one of the top 55 creative achievements in 2020 by Highlights of Hungary. I am incredibly happy as this was my first time directing in my home country in my mother tongue, and it was especially difficult to create a show in the middle of the pandemic that was safe for audiences and creatives/cast alike.
The nomination itself is a huge honour, but this week Highlights of Hungary will open their voting system to the public, and it would mean a lot to me if my QMUL community could help me get Hamlet to the finish line.
“Hamlet is a 80-minute long reduced version of Shakespeare’s classic. We also added our own texts and even a Hungarian poem – it is very much the company’s version. In the first half of the performance the audience is sitting outside the Stadium of Debrecen, while the performers are inside the building behind glass. The audience listens to the actors’ mics through headphones, safely distanced from each other. In the second half of the show the actors leave the building and the show turns into a promenade performance outside the stadium, ending with the fencing scene in the stadium’s concourse. It is a piece about responsibility, death, grief and feeling stuck, which resonated with a lot of our audiences. Here is a trailer to give you a taste of the show:
“Every year Highlights of Hungary nominates 55 creative achievements in the country without categories. This year the line-up includes the National Ambulance Service, Lili Horváth’s award-winning movie which will probably be Oscar nominated, and many other achievements in sports, community service, environmentalism, innovation and architecture, to name a few. The aim is to celebrate achievements without labels and competition, to raise awareness and connect people across sectors. This is the Csokonai National Theatre’s first time being nominated.
I will be shouting from the rooftops on Twitter at @Franciska_E if anyone wants to come and support. Our hashtags are #vitrinhamlet#hamletinheadphones. As an English and Drama graduate, QM has been a huge influence on the way I work and the way I see performance. If there is interest I am happy to talk more about this and the challenges of making socially distant work if that is of any interest for current students.
Thank you so much for supporting us. Let’s celebrate something that happened in this very bleak 2020.
There’s some unmissable events coming up for you to get valuable insight and develop your confidence in these uncertain times.
Media & Creative Industries Summit
Thursday 28 January, 5.30 – 7pm
An online panel session of speakers in publishing, media and journalism, with the aim of helping students broaden their connections and knowledge within this field. Speakers – all alumni of SED – work at organisations including the BBC, Orion, Al Jazeera, and Sky.
Making the most of Semester B and finding opportunity in a challenging job market
Friday 29January, 12-1pm
This is a talk exclusively for Humanities and Social Science students, particularly those not sure how to start or progress their career thinking and planning during Covid. This session will focus on the opportunities and events available right now to explore career options, make plans, and gain experience.
Tailored specifically to the SED cohort, this short series of three workshops aims to help students understand the skills they are gaining from their English and Drama degrees; make decisions about avenues they would like to explore and pursue; get an introduction to working for themselves (which may be of particular interest to those interested in a writing or arts career); and engage with ways of presenting themselves to prospective employers, connections, and clients.
Starting off with online speed networking with QM Humanities alumni, this series of events aims to demonstrate to Humanities students the broad range of options available to them, and arm them with the knowledge and skills to allow them to follow their chosen path.
Further details are in PDF which you can download via the button below…
Like most Drama alumni, my fondest memories take place in the Pinter Studio, where most of our performances happened.
These vary hugely from the absolute terror (and then elation) of exam pieces to the hilarity of watching my housemates perform ridiculous sketches at the student run variety evening “Slappin’ da Bass”. It’s mad to think of what’s taken place over the years in that studio for so many students. There was a tradition for doing a slightly tipsy last run-through of QMTC plays the night before public performances opened to attempt to shed any nervousness of messing it all up on the night (to varying degrees of success).
My absolute favourite night of the whole three years was during the “Performance Composition” module (if you’re a current Drama student, this is one you absolutely must sign up for). Run at the time by the wonderful Stacey Makishi, whose practice combines radical mutual openness with the bizarre and surreal.
During this module students performed 5-10 minutes solo shows every week to the public, providing a constant state of terror and adrenaline for everyone enrolled on it. On the last week, after the graded performances had been completed, we each performed “in the style of” one of our class mates, treading the fine line between caring for and honouring our peers’ creativity whilst performing some of the most bizarre pieces I’ve ever seen, to hilarious effect.
Tell us about Fear Naut. How did it come about and how can people get involved?
Fear Naut is a magazine conceived and created from start to finish by women who live on boats.
One year after graduating from QMUL I moved onto a narrow boat on in London, something many students will have considered living and studying right next to the Regents! It wasn’t exactly new to me, I was born on a barge in Bristol and have always worked on boats, but I loved it immediately. What I loved most were the people I met. The boating community is so supportive, caring and full of huge personalities. I found quickly that so many of us were creative in some way, but living on a boat is like a part time job, and so many of my friends rarely had the time to give their creativity the attention it deserved.
“We stand for the empowerment of women and non-binary folk, strong community, DIY, and the freedom to live as you please. Boat women are creative, brave and independent. We have a wealth of creativity and experience with a unique and special view of the world and we want to share that with you. This is a magazine for people living on the water, for those interested in alternative ways of living – from creatives and dreamers, to activists and environmentalists and many more.”
Boat Women had such a unique view of the world, and the creativity to translate that to something that a much wider audience would find interesting and inspiring.
Once I’d had the idea the rest happened so organically, I posted on the London Boat Women Facebook group (best FB group in the world!) and 15 women came to the initial meeting wanting to be involved. This was slightly terrifying, but the numbers quickly shrunk to three, Asha, Estelle (who luckily owns a Risograph printing studio in Hackney Wick!), and me.
We’ve just published Issue 2 and already can see how much the magazine will grow and develop with each Issue. We’re both learning as we go along. Issue three is on “Growth” and will come out in early summer. If you’re a boating lady or non-binary person you can email us your ideas for contributions at email@example.com.
Who or what are your inspirations?
My friends and community inspire me more than anything, those people who have an idea and make it happen. It’s those people that have turned me from someone who would read a book and think “How does anyone have the time and tenacity to put so much work into something?” to someone who thinks that if you want to do something, you can, and that’s the only way it will happen.
You work as a Diversity and Inclusion Facilitator. How can arts and culture be genuinely more inclusive?
It has to start from the top down. I don’t think an organisation run by straight white men can ever be truly inclusive, we need people in power within the arts who are black, trans, non-binary and neurodivergent to be making the big decisions, and only then will we get to the place we need to be.
What advice would you give to Drama students about making their own projects and life after QM?
You’ll all go through that period of time when you’re applying for every job on ArtsJobs that comes through (and definitely do this!) but you don’t have to wait for someone to employ you to do something worthwhile. Whether it’s a community project, creative project, or skill you’d like to learn more about, do it! Say yes to as many things as you can, you never know where they’ll lead.
Our very own Martin O’Brien will talk about his practice and research in relation to ideas of care, community, and solidarity in times of illness. He will discuss his notion of Zombie Time, or the temporal experience of living on longer than expected, as a way of understanding mortality and chronic illness.
Join Project Phakama (arts organisation based at QMUL) on Sunday 17th January 2021 for Project Phakama’s very first Digital Festival! To kick off Phakama’s 25th birthday celebrations they’ll be hosting a day’s festival called Power to the people, exploring the theme of ‘resistance‘.
Over the course of a day participants will come together to explore the things we are resisting. You’ll be able to choose from a range of workshops exploring movement, art therapy, creative writing and photography, sharing your ideas and building a small piece of performance to showcase to the group.Come along to revel in Phakama’s brilliant philosophy and people, feel inspired and explore something new.
Queen Mary University of London (QMUL) and the Natural History Museum (NHM) are pleased to announce the availability of a fully funded doctoral grant from October 2021.
This studentship is funded for 3.5 years full time (or part-time equivalent). The project will investigate provenance information for the botanical specimens in the Sloane Herbarium, a foundation collection of NHM, to re-imagine our understanding of its global and imperial dimensions.
Julie Rose Bower (Drama) has been commissioned by Victoria & Albert Museum to make ASMR videos. These will be released throughout this first quarter of 2021 and she hopes they will provide some stress relief deep in the cloister of the archive.
Feather Pen Blog is a creative writing platform managed by SED student Aysel Dilara Kasap that welcomes any type of writing and writers from all backgrounds. Our mission is to offer a creative space for all writers and aspiring writers to unleash their creativity. We want to help fellow writers to share their work, in this age in which rejections are more common than acceptance.
We’re open for submissions for all of our categories which include fiction (short stories and scripts), poetry and lifestyle (includes most kinds of non-fiction from articles, book reviews, film reviews, personal blog entries to travel accounts to anything you want to share). We especially encourage submissions for the fiction section. We’re also open to discuss any column ideas. Send your submissions or pitches to firstname.lastname@example.org.
Vanessa Damilola Macaulay (Drama) Photography and memory, ritual and writing come together in Vanessa Damilola Macaulay’s inquiry into racialised experiences of breath and breathlessness, from violent anti-blackness to Fanon’s revolution.
Elliot Morsia (English Alumnus) has published a ground-breaking new study of D. H. Lawrence with Bloomsbury Academic Exploring draft manuscripts, alternative texts and publishers’ typescripts, The Many Drafts of D. H. Lawrence reveals new insights into the writings and writing practices of one of the most important writers of the 20th century. Focusing on the most productive years of Lawrence’s writing life, between 1909 and 1926 – a time that saw the writing of major novels such as Women in Love and the controversial The Plumed Serpent, as well as his first major short story collection – this book is the first to apply analytical methods from the field of genetic criticism to the archives of this canonical modernist author.
The book unearths and re-evaluates a variety of themes including the body, selfhood, the sublime, trauma, death, depression, and endings, and includes original transcriptions as well as reproductions from the manuscripts themselves. By charting Lawrence’s writing processes, the book also highlights how the very distinction between ‘process’ and ‘product’ became a central theme in his work.
Nineteenth-Century Religion, Literature and Society: Disbelief and New Beliefs, edited by Clare Stainthorp (a new Leverhulme ECF in the School of English and Drama) and Naomi Hetherington was published in December as part of a four-volume Routledge resource. The volume explores the transformation of the religious landscape of Britain and its imperial territories during the 1800s as shaped by Bible criticism, science, esotericism, comparative religion, and freethought. It introduces and makes accessible diverse primary sources, from novels and poetry to sermons and pamphlets.
Emily Redpath (Drama alumna) is starring in a socially distanced and cleverly filmed version Romeo & Juliet and highlighted by the Guardian’s Chris Wiegand.
Tudor Networks works in a similar way to platforms such as Google Maps. It offers to possibility for users to view almost 100 years of history from a macro perspective. Just like Google Maps might reveal streets that had never been mapped before, this platform reveals hidden histories and network connections that were previously unknown.
WONDERER (SED Student Run Literary Journal)has launched it’s first issue and includes incredible examples of our students’ workincluding work on consciousness and race, South African fiction, gender displacement and much more fascinating lockdown reading.
Your Advisor: first point of contact for help with your university life. Book an appointment by email or via the scheduler on QMPlus (during the semester). If you don’t know who your advisor is find out here.
QMSU is independent and works for students, it has lots of resources and advocacy and events to help you.
Togetherall is the student mental health platform QMUL subscribes to. Use it to do a course or connect anonymously.
b) In-Crisis & Emergency Support
Emergency numbers: 999 for life or death emergencies and 111 on your phone for urgent health advice. 020 7882 3333 if you need campus emergency team.
Helplines:Samaritans (crisis phone/chat support), Student Minds (tailored mental health support for students) and search for your local council’s mental health support provision. Tower Hamlets for example has a 24 hours crisis line.
Connection: Be the one who reaches out and use real talk to discuss real things going on not just. You’d be surprised how many people respond well to this. There’s still time to join societies, contact old friends and meet new ones.
Exercise: Use the Couch to 5k or other similar apps to get into a routine of exercise that can improve your mood. Move around when studying to different places at home and at university if you need study space.
You will also get the chance to take part in live subject panel sessions with current students, which will include a Q&A where you can ask questions about your subject of interest. The event will close with our semi-live digital tour, where you will be able to explore our Mile End campus and take part in a text Q&A session to find out more about living and studying at Queen Mary.
ENGLISH – POSTGRADUATE RESEARCH SEMINAR ‘Hear the sledges with the bells- Silver bells! What a world of merriment their melody foretells!’- Santa Poe Join the PGRS team on 10/12 for their PhD panel & ap-POE-priately festive Christmas Quiz! Sign up in teams of up to 4 now and watch here for more soon https://forms.gle/AtYYg3LJByYr1N
‘Sh!t Actually’ is Backtually3-5 Dec – Rose Theatre and 12-23 at Home Manchester QMUL Drama graduates Sh*t Theatre present their provocative and hilarious festive rework of Love Actually to prove ‘Love Actually is All Around’.
‘Best Alternative Christmas shows’ (Evening Standard). ‘No other alternative Christmas shows’ (Global Apocalypse)
Written and performed by Peggy Shaw and Lois Weaver of Split Britches, it is a series of verbal and physical essays that playfully dances through the dangerous intersections of permanence and impermanence, interdependence and care, knowledge and experience, narcissism and echoes.
“The Fall of the Berlin Wall launched a wave of ecstatic raving and clubbing across Berlin. That wave’s force has carried the city’s clubbing scene right through to today—although it has met an unforeseen break in this year of Covid restrictions. For thirty years, the thump of bass has never gone so silent. In this paper, I’ll put my previous work on ecstasy and melancholy in Berlin around 1989 in dialogue with recent developments, as clubbers, DJs and producers contend with a moment in which collectives and crowds have become sites of anxiety. I’ll consider the attempts to replicate the clubbing experience online, as well as the irrepressible raving energies that have seen illegal parties take place against stringent public health measures.”
News & Links Alumni Profiles this month: Emily Rose Yates(English BA, 2013), Accessibility Consultant, Journalist & Speaker. Nathan Benitez (English BA), founder of afoodible.Creative Skills Academy: Rupert Dannreuther has run 3 online creative skills workshops and 2 in-person drop-ins for students, staff and friends. These will continue in semester 2 on Wednesday afternoons. Thanks to all who have attended so far.
Examine Clean Break’s impact on contemporary British theatre and the lives of the women it works with.
Examine Clean Break as an organisation, run by women for women, with distinctive organisational practices characterised by learning through listening to the voices of those involved in its work. It considers the implications of these practices for management and leadership more widely.
Create opportunities for artists, academics, women with experience of the criminal justice system and those who work with them, to share their expertise through seminars, training, podcasts and teaching resources.
Women/Theatre/Justice is the umbrella title for research and public engagement activities that are part of Clean Break: Women, Theatre, Organisation and the Criminal Justice System (2019-2021). This interdisciplinary Arts and Humanities Research Council (AHRC) funded project is led by academics in theatre and performance studies and work and employment relations, in partnership with Clean Break theatre company.
Clean Break was initiated by women in HMP Askham Grange (UK) in 1977 and has since become an internationally recognised theatre, education and advocacy organisation that places stories of women, crime and punishment centre stage.
Through seminars, conferences, training, exhibitions, podcasts and publications, the project examines wider issues including: the criminalisation of women; theatre practices with incarcerated women in different cultural contexts; gender, organisation and leadership; worker voice; the role of higher education in partnerships within the criminal justice system; implications of COVID-19 for incarcerated women and the response of arts organisations.