There Are Plenty of Businesses like Show Business: Launch Event for ‘Marxist Keywords for Performance’
by Performance and Political Economy research group (Jaswinder Blackwell-Pal, Shane Boyle, Ash Dilks, Caoimhe Mader McGuinness, Olive Mckeon, Lisa Moravec, Alessandro Simari, Clio Unger, Martin Young).
Theatre and performance studies is awash with scholarship that examines performance in relation to its labour processes, modes of management, financial infrastructures, and so forth. But there lacks shared critical understanding of what terms such as “value” or “capital” mean and how they can be applied when studying performance forms like theatre, dance, or live art. The range of meanings that performance scholars attach to the word “commodity” or even the seemingly obvious entities of “class” and “the state,” for example, reveals more than a slight degree of imprecision or disagreement. It indicates a lack of systematic thought and, consequently, a need to interrogate the categories used for discussing performance’s political economy.
Collectively written by nine people, “Marxist Keywords for Performance” (2021) contributes to growing critical attention within theatre and performance studies towards political economy by defining key Marxist concepts and exploring how they can be applied to study performance. Ahead of our project’s publication in a joint issue of The Journal of Dramatic Theory and Criticism and Global Performance Studies: GPS, this presentation introduces our aims in writing the keywords and reflects on the collective research, carried out in the midst of the pandemic, that went into them. As Tithi Bhattacharya (2017) reminds us, the aim of any critique of political economy should be to “restore to the ‘economic’ process its messy, sensuous, gendered, raced, and unruly component: living human beings capable of following orders—as well as of flouting them.” A critique of the political economy of performance, as we understand it, should have this same goal.
Thank you for your help!
Best
Hanife Schulte, Carolyn Naish, Gill Lamden, Tobi Poster-Su, Souradeep Roy, and Sam Čermák,
Creative Writing Taster Session: Finding Your Many Voices – Nisha Ramayya
In this session, we will listen to a selection of contemporary poets who write and perform in voices, discuss their work, and then try writing our own dialogic or multivocal texts.
1300-1330
What’s Love Got To Do With It? Putting Romeo and Juliet In Its Place’- David Colclough
In this short taster lecture I’ll explore what happens when we read one of the most famous love stories – Shakespeare’s Romeo and Juliet – with the help of some historical context (spoiler: it gets less romantic). No prior knowledge of the play is required.
1515-1545
Drama
Show Business: Theatre and Capitalism – Michael McKinnie
What is “show business”? How is it different from other business? How is it the same? And what can it tell us about the relationship between theatre and the economic world in which we live, work and play.
1345 -1415
Theatre and Protest – Aoife Monks
This session gives a taste of the long history of protest at the theatre, looking at riots, censorship and theatrical activism in the auditorium and on the streets.
Whether you’re a Londoner, taking a day trip before moving here or a new resident here’s our arty list of exciting ways to spend your summer in the city.
Free activities all week in Victoria Park near our Mile End campus including live music, free outdoor cinema, live music, live performances from Pan-Asian cabaret collective BITTEN PEACH and much more.
PLUS: We’ll be there at 2pm on Thursday 2nd September for a pop-up podcast recording with a surprise author guest.
A feast of (mainly) free performance across east and south London including this spectacular ‘northern lights’ installation called Borealis and a promenade show at the Tudor surroundings of Charlton House by our very own Mojisola Adebayo. Be sure to book in advance for free and paid events.
The doors are thrown open to London’s gorgeous, unusual and secret buildings at Open House London. Booking opens on 11 August at 12pm (midday) and it’s the perfect chance for locals to discover something new in your area or if you’re new to explore London.
Free summer weekenders curated by some cult icons including Shingai (pictured above) who’s showcasing Black talent, dance battles from Zoonation and bank holiday carnival vibes from Dennis Bovell’s Sound System Experience.
MISERY, Sad Girl Summer event 2020. Photo by Ella J Frost
What Shall We Build Here is a festival of art, climate and community at Artsadmin’s Toynbee Studios in Aldgate East, in parks and in your local supermarket.
This two-day online event explored productive, radical, contemporary encounters between the arts and mental health, bringing together clinical, artistic, and research perspectives that offered a re-interpretation of contemporary mental health science and practice, with a view of imagining a different future. This event was joined by more than 100 people including survivors, service users, mental health professionals, artists and researchers interested in how the arts can contribute to mental health.
The conference was opened by photographic artist Daniel Regan, who shared his discovery of the power of the arts in his own mental health journey. Daniel discussed the shame and stigma of living in crisis and how transforming his relationship to his lived experience turned it into his greatest asset. Consultant psychiatrist Dr Tom Cant introduced Peer Supported Open Dialogue and the ODDESSI* trial, a multicentre randomised control trial funded by the National Institute for Health Research. Developed in Finland in 1986, Open Dialogue is a social network model of mental healthcare where the person of concern is genuinely offered the power to define their recovery.
[*ODDESSI stands for Open Dialogue: Development and Evaluation of a Social Network Intervention for Severe Mental Illness]
On the second day, the artist keynote was given by playwright and theatre directorJulie McNamara, an outspoken survivor of the mental health system, who works with people from locked-in spaces, foregrounding the stories of disavowed voices from the margins of our communities. People who have lived in long-care hospitals are not ordinarily perceived as artists and storytellers with meaningful contributions to make in our cultural industries. Julie talked about her creative process, staging the voices of women who transgress, women who fail to perform femininity as constructed in this ableist, patriarchal society. Lived expert consultant Amanda Griffith introduced the Power Threat Meaning Framework (PTMF), a radical approach to understanding emotional distress and wellbeing that is attracting interest both nationally and internationally. Aimed at a wide range of stakeholders, the framework highlights the links between personal, family and community distress and wider issues arising from social inequalities and injustices. This gives particular attention to the experiences of people and groups who have been exposed to abuses of power on the basis of their race, ethnicity, gender, class, religion, nationality, age, sexuality, disability, or their status as a mental health service user, and the way these identities and associated experiences of power intersect.
A series of panels invited discussion on different topics. In the panel led by the Centre for the History of Emotions at Queen Mary, the audience applauded the concept of “emodiversity”, developed as part of a programme for emotional literacy in primary schools, a superb pilot run by Prof Thomas Dixon.
Conference delegates participated in a Creative Enquiry all group activity, led by Dr Louise Younie, pioneer of the creative enquiry approach for flourishing in medical education. Moreover, selected participants were invited to present their artworks of poetry, painting and music: a delightful moment, inviting both aesthetic pleasure and reflection.
During discussions and reflections raised by this momentous event, the audience was enraptured and applauded the presented projects and innovative practices. Also, organizers and the public felt stimulated to discover new alternative approaches to mental health for future times, taking into account above all creativity, open dialogue, and direct participation from users of the health system.
It was clear that the bio-scientific, logical-rational, reductionist, and mechanistic model of mental health needs updating. An empathetic look, which gives rise to interpretive and communication abilities, is necessary to approach the idiosyncratic narratives brought by survivors and service users. In addition, the well-established hierarchy relationships within the mental health medical environment, which highlight authority and power, oppress and make stagnant the creativity and humanization that should permeate all human relationships. All this misinterpretation over mental health care leads to overly rigid and standardized models of approach, lacking human connection.
Hence, health professionals need to be open to access subjectivity and make deeper connections, giving voice and opportunity for self-expression. Ultimately, the arts seem to be a catalyst tool to materialize the inner turmoil of mental disorders, providing opportunities for representation and meaning-making, as well as being a fantastic means to well-being.
Performance, Possession & Automation – a collaborative research project led by Nick Ridout and Orlagh Woods, in collaboration with Dhanveer Singh Brar – invites you to two online conversations.
Possession & Modern Acting
Friday 4th June, 6-8pm (BST)
Online
Shonni Enelow, Julia Jarcho and Nicholas Ridout
Possession: an actor seems to have been taken over by someone else.
Automation: an actor is someone whose actions are not their own.
In this public conversation, Shonni Enelow, Julia Jarcho and Nicholas Ridout explore ideas about possession and automation in relation to 20th and 21st century experiences of acting, theatre and the movies. Do they hold clues to the roles that both possession and automation play in contemporary life, and to how we might think and feel about them.
Click here, to book your place and for further information.
What occurs when “lose her” is recast as “loser”, and covered over once more to become “winner”? And why in each reversioning does “pride” persist, but never in the same guise? These are questions which arise from listening to the Jamaican essayist of the song form, Alton Ellis.
By losing ourselves in Alton Ellis’s losses and revisions, Edward George and Dhanveer Singh Brar believe it is possible to begin to open up an auditory dimension to the question of spirit in Jamaica, the Caribbean, the diaspora, and in turn, modernity itself, as it was being rendered towards the end of the twentieth century.
Click here, to book your place and for further information.
Performance, Possession & Automation is a research project exploring automation and possession as two ways of thinking about what happens to human subjects who act in ways that they do not themselves fully control. How can making and thinking about performance contribute to thinking about these ideas?
In partnership with Fierce Festival, performingborders and Transform Festival
This project is supported by:
Collaborations Fund of the Faculty of Humanities and Social Sciences, Queen Mary University of London (QMUL) The Centre for Public Engagement, QMUL Strategic Research Initiative, School of English and Drama, QMUL
Conducting conversation / Connecting Creatively / Creating Courageously / Courageously Carrying On / and Cabaret! / Come on and join us!
Peopling the Palace is a yearly festival of performance, workshops and events that showcases the work of Queen Mary academics, artists, current students and alumni.
This year’s theme is care and features over 25 events from outrageous cabaret nights to a day exploring the rituals of care. In times of global unrest and pandemic, Peopling the Palace Festival, creates a space to explore how important caring about each other is. The festival tackles important contemporary issues of racial inequality, mental health, care provision, neurodivergence, art in a crisis, climate justice and aging.
All events are free to attend and open to all. Advanced booking required for all events.
I am Leah (13 June) A vital new play inspired by the stories of survivors of the 1994 Genocide Against the Tutsi in Rwanda.
Dadders (19 June): Escape to the Meadowdrome with acclaimed artists Daniel Oliver and Frauke Requardt (The Place, Latitude Festival) to delve into their experiences of neurodivergent parent.
Last Gasp WFH (19 June):Playing with the fragility of technology, particularly the unpredictability of Zoom, the team found new avenues to the classic Split Britches (Lois Weaver and Peggy Shaw) aesthetic of broken down theatrical conventions, exposing the self on stage.
The Tempest in English and Spanish (17 June):This interactive experience explores how the arts can break the stigma around autism.
The Possibility of Colour (12 June):Dystopian play about a new miracle cure and explores themes around mental health voice hearing, synaesthesia, neuro-diversity, Artificial Intelligence, privatised health and the illusion of choice.
Cabaret & Showcases
Alumni and Current Student Performance Showcase Nights (10,15 & 17 June): Be shocked, surprised and inspired when you support new artists and performers as they show their latest works.
Her-Pees (9 June) a comfortable, inclusive, and questioning performance night ahead of their Bethnal Green Working Men’s Club Debut.
Friday Night In (Film Night) (11 June): A small screen celebration of work from QMUL students, alumni, staff and other exciting filmmakers.
Cossy Fanny Tooty Cabaret (16 June): A cheeky performance cabaret curated by Vivian Harris.
Workshops, Conferences & Conversations
A Queer Climate Justice Workshop (16 June)by Queen Mary Theatre Company in the lead up to a new show, The Cabaret at the End of the World.
Free Creative Skills Workshops (14-15 June) to help QMUL students and the community get into the creative industries with Creative Skills Academy.
Workshop on Writing Race (16 June) for sixth-form students with acclaimed artist Vanessa MacAulay.
Enlightening Conversations and Conferences: ‘Women, Theatre, Criminal Justice’ with Clean Break, ‘Making During States of Emergency’, ‘Cults, Conspiracy and Pseudoscience’, ‘Mental Health and the arts’ and ‘How do Universities Care for Students Learning’.
Dear Colleagues, we can in theory sit outdoors with friends now, but it is threatening to snow. So instead I just wanted to invite you to some more events taking place this week involving our colleagues and collaborators:
On the Art of Boxing in the East End: A Conversation – The celebrated East End prize-fighter Daniel Mendoza revolutionised boxing in the late 18th and early 19th century. As a Jewish boxer, Mendoza experienced and challenged antisemitism throughout his life. Mendoza’s body was buried in the Novo Jewish Cemetery at Queen Mary, which still contains a plaque commemorating his life. Chaired by QMUL’s Dominic Johnson, Professor of Performance and Visual Culture. The conversation will include Professor Nadia Valman (QMUL), a artist named Jake Boston, and with other guests from the boxing world, TBC. They are joined by Ian Gatt, a sports scientist and Upper Limb injury specialist of the English Institute of Sport, who is Head of Performance Support for GB Boxing.
I’m Thirsty: On Reclaiming Water and the Arts as Universal Common Goods – This conversation starts from the premise that as much as water is indispensable to our survival, so are the arts. And yet, both are dangerously devalued in our society. To start the conversation, a social anthropologist named Megan Clinch, and a artist named Ruth Levene will introduce their research exploring the impact of flooding on the communities that live in the Calder Catchment, Yorkshire. After this, the co-directors of the MSc Creative Arts and Mental Health, Bridget Escolme (Professor of Theatre and Performance, QMUL) and psychiatrist and theatre scholar Maria Grazia Turri (Wolfson Institute of Preventive Medicine, QMUL), will come in as well.
On Storytelling, the Child and Public Health: A Conversation – This panel will explore the critical work of storytelling in communicating public health messages to children or about children. Professor Tina Chowdhury (QMUL Engineering) will talk about her work using immersive tech to visualise foetuses in the womb – a practice that both treats foetal illness, and inspires women to experience agency around preventative health measures during their pregnancies.
On Promoting Wellbeing Through Music: A Conversation – This conversation delves into the incredible power of music to support wellbeing in social and educational settings. Hattie Rayfield of the London Chamber Orchestra introduces the LCO’s Music Junction programme, which works with children and young people from a wide range of backgrounds to provide them with opportunities to develop artistic and social skills through shared music making. Kerstin-Gertrud Kärblane joins the panel to discuss her work with Music Junction as a mental health practitioner through Queen Mary’s MSc in Creative Arts and Mental Health. Professor Paul Heritage of Queen Mary’s People’s Palace Projects will speak on his collaborations with María Claudia Parias Durán, Director of the Fundación Nacional Batuta in Colombia, who make music with 40,000 young people each year – many of them displaced by the civil war. Director of Music Paul Edlin (QMUL), who has created an online space for student musicians at Queen Mary to share their experiences and music throughout lockdown, chairs the panel.
Welcome to 2020 at Queen Mary. We want to get you excited about studying and exploring London and culture online as part of your university experience.
Performance, Possession & Automation – a collaborative research project led by Nick Ridout and Orlagh Woods, in collaboration with Joe Kelleher, Fiona Templeton and Simon Vincenzi – invites you to three online conversations.
Automation & Cultural Production
17 July, 6-8pm (BST)
Online
Seb Franklin and Annie McClanahan join Nick Ridout for a conversation about automation and cultural production.
Instead of imagining a future in which our lives are managed for us by robots or AI, it may be time to think instead about how automation is already deeply embedded in our everyday lives. Automation is not replacing human beings, but it may be changing how we work and act, and how we think and feel about ourselves and other people.
Clickhere, to book your place and for further information.
Paul C. Johnson and Rebecca Schneider join Nick Ridout for a conversation about possession and performance.
What if possession is a totally modern idea? Could it be a way for people who live modern lives in a supposedly secular culture to describe modes of being that don’t fit with their ideas of what it is to be yourself? How does performance help us think about possession? Are performance and possession both ways of becoming an automated or programmed self?
Clickhere, to book your place and for further information.
Kyla Wazana Tompkins and Roberto Strongman join Nick Ridout for a conversation about possession and subjectivity.
Might possession and other experiences in which people seem to lose control of themselves – like intoxication or narcosis – expand our understanding of what it means to be a subject, beyond the bounded subjectivity assumed and promoted in so-called ‘Enlightenment’ thought? Do subjects always and everywhere have to fit neatly into bodies?
Click here to book your place and for further information.
Performance, Possession & Automation is a research project exploring automation and possession as two ways of thinking about what happens to human subjects who act in ways that they do not themselves fully control. How can making and thinking about performance contribute to thinking about these ideas?
This project is supported through the Collaborations Fund of the Faculty of Humanities and Social Sciences and The Centre for Public Engagement, Queen Mary University of Londonin partnership with Fierce Festival and Hampstead Theatre.
Anərkē
Shakespeare’s candlelit production of Macbeth premieres at The Holy Trinity Church,
Stratford-upon-Avon, Shakespeare’s burial place, and then tours to London
for a very limited run at St Leonard’s
Church, Shoreditch, the burial site of Shakespeare’s main actor, Richard
Burbage.
Anərkē
Shakespeare is an innovative theatre company that combines scholarship and
creative practice inspired by the working conditions in which Shakespeare
conceived his plays. Shakespeare’s “myriad minded” texts are brought to life by
a diverse, gender-blind, actor-led ensemble, in an intensively short rehearsal
period, without a director.
Stratford-upon-Avon Run
Show Details:
Stratford location: Church of the Holy Trinity, Old Town, Stratford-upon-Avon CV37 6BG
“The
best Shakespeare performance that I have seen for years!!” – audience response
“The
lack of fuss about mimetic casting … cleared the way for the play to shine
radiantly through.” – Professor Michael Dobson, Shakespeare Institute
“The
production made questions of ethnicity completely irrelevant … benefited hugely
from the experience and authority of its multiracial cast.” – Professor Tony
Howard, University of Warwick
“A
feast of fine acting, and a revelatory X-ray of the structure of the play.“ –
Professor Richard Wilson, Kingston University
Keen to explore a career in teaching but unsure of the route to take? Join us for an exciting panel featuring multiple teaching providers. This event will give you the opportunity to hear from recent graduates, recruitment staff and senior staff who will tell you about their training programs, recruitment processes, the types of opportunities available and what it’s like to work for them. There will be an opportunity for informal networking and Q&A with the representatives. Confirmed providers include: Ark Teacher Training Department of Education – Train to Teach Burnt Mill Academy Trust St Mary’s University Teach First The Thinking Schools Academy Trust
Looking for an LGBT+ friendly employer, not sure where to begin? Join us as part of the Students’ Union LGBT+ History Month and ahead of the Pride Careers Fair to find out the key aspects to look for when searching for the right employer to begin your career journey. Hear from a panel who will give invaluable advice and talk about their personal experiences.
Topics will include:
How to identify a supportive employer How to come out at work and the benefits How to build a network What LGBT+ students have to offer
We’ll be hearing from:
Triona Desmond – lesbian co-parent and Senior Chartered Trade Mark Attorney at Pinsent Masons LLP. Sal Morton (he/they) – a queer artsperson and senior researcher and content writer for career guide Chambers Student. Daniel Nasr – diversity & inclusion specialist for the charity and international development sectors, currently leading on Unicef’s inclusion strategy in the U.K. Dr Lipi Begum– senior fashion and sustainability lecturer and researcher for the University of the Arts London. Kenneth Pritchard– gay public affairs and strategic communications professional for the Post Office.
Timings for the event will be as follows: 16:00-17:00 Panel conversation 17:00-17:30 Audience Q&A 17:30-18:00 Chit chat
Interested in the Media sector? Journalism? Publishing? Theatre? Radio? Join us to explore a variety of industries and roles. Learn why these roles are realistic to pursue and how to secure a position in your chosen sector. You will hear from professionals who will talk about their personal experience of the sector and give you top tips along the way! Come prepared with some questions and be ready to do some valuable networking.
Confirmed representatives include (with more to follow!):
PriceWaterhouse Coopers (PwC) is a global
professional services firm operating in 157 countries and employing 276,000
staff in 100s of different roles advising businesses on areas including
audit, tax, legal, consultancy, climate change, human resources, risk, deals
and many more. They are really interested in employing graduates studying
Humanities and in fact already do employ a number of QM Humanities alumni.
Ashley O’Connell, a recruiter at PwC, is
coming to talk about why a global business such as PwC is interested in you,
what skills do you have that are valuable to a business like theirs, what kind
of opportunities exist, why these are good roles for Humanities students, what
they look for in students, what kind of activities they value that you get
involved in and how Humanities students can do well in recruitment.
Ashley is flying over from the Channel
Islands and will talk about opportunities in both London and the Channel
Islands including, graduate jobs, summer internships and insight
programmes. N.B. There are still vacancies for 2020 graduates to start in
the Channel Islands this summer.
If you are curious as to what you have to
offer a big business operating in any sector, this is a great chance to
understand how to market your degree in a way that makes you relevant and to
get top tips and insights from a business recruiter.
Our very own Jerry Brotton has been working with Dr Johnson’s House as they present a series of events including a round table discussion about the exhibition and a dramatic reading of Irene by our Drama students.
Visit for free to see our upcoming exhibition, London’s
Theatre of the East and get a chance to meet the artists whose work is on
display at the House. Explore all four floors of Dr Johnson’s House and discuss
with our artists their varying responses to the theme of London’s links to the
Middle East and North Africa over the past 500 years. You can read more about
our exhibition here.
There’s no need to book, just turn up on the day!
Ottoman Empire map end of section: Roundtable Discussion
Thursday 14 November 7pm (Doors open at 6.30pm)
Join us for a roundtable discussion between the artists
featured in our upcoming exhibition, London’s Theatre of the East, organised in
collaboration with The Arab British Centre. Playwright Hannah Khalil, novelist
Saeida Rouass, documentary photographer Lena Naassana and textile designer Nour
Hage will join Dr Jerry Brotton, author of This Orient Isle, and the Donald
Hyde Curator of Dr Johnson’s House for a discussion on how each artist
approached and responded to the theme of the historical connections of the
Middle East and North Africa with London, via the lens of Dr Johnson’s 1749
play, Irene, set during the fall of Constantinople in 1453.
Tickets £12 – includes a complimentary glass of wine
London’s Theatre of the East – Late night opening
Tuesday 19 November 6pm – 8pm (last entry at 7.30pm)
A rare opportunity to explore the Dr Johnson’s House at
twilight and see all four floors of the museum, plus our upcoming exhibition
for free.
You’ll also have a chance to meet the artists featured in
London’s Theatre of the East in an informal setting and to discuss their
exhibits with them, which are their responses to Johnson’s 1749 play Irene and
their research into the connections between the Middle East, North Africa and
London.
There’s no need to book, just turn up on the night!
Irene at Dr Johnson’s House
Thursday 21 November 7pm (Doors open at 6.30)
When Irene premiered at the Theatre Royal in Drury Lane in
February 1749 it ran for a respectable but underwhelming nine nights. Johnson
regarded it as a failure, as did James Boswell, who claimed his friend ‘had not
the faculty of producing the impressions of tragedy’. But the time has come to
revisit Johnson’s neglected play – join us in the home he was living in while
Irene was originally staged for the first public performance of Johnson’s play
in 270 years!
This dramatic reading of Irene will be performed by the
students from the English and Drama department of Queen Mary University London,
under the direction of Dr Penelope Woods, Lecturer in Drama, with the advice of
Professor Lois Potter, author of The Life of William Shakespeare, A Critical
Biography,and Professor Emerita, University of Delaware.
Tickets £12 – includes a complimentary glass of wine
We have ground-breaking events galore in our first semester of the 2019/20 year. Please do join us for collaborations with Southall Black Sisters, The Guardian and many more in-house events.
Jeanne-Marie Jackson-Awotwi (Johns Hopkins) & Rashmi Varma (Warwick) Chair: Andrew van der Vlies (QMUL) present a panel discussion on ‘The Postcolonial Novel of Ideas’.
The event will include: discounted copies of the book, a chance to discuss its core topics (neurodiversity, awkwardness, audience participation) using Daniel’s clunkily conceived Rong Table format and due to the date, fully non-commital/over-committed Halloween dress code will be optional.
This one-day symposium will host a series of discussions about the current climate for artistic and cultural production in Britain. The four thematic strands are on English literature (in particular school and university curricula design), publishing, curating and performing. The event brings together experts and practitioners who will share their experience of how these areas of the arts may or may not be changing, especially given ongoing agendas around inclusivity, diversity and ‘decolonising’.
Speakers include: Aditi Anand, Charlie Brinkhurst-Cuff, Natasha Bucknor, Elizabeth Cooper, Corinne Fowler, Rachael Gilmour, Nadia Yahya Hafedh, Anthony Joseph, Danuta Kean, Madhu Krishnan, Sharmaine Lovegrove, Malachi McIntosh, Rachael Minott and Jeremy Poynting.
The Sexual Cultures Research Group at QMUL: Saleem Haddad
Saleem Haddad was born in Kuwait City to an Iraqi-German
mother and a Palestinian-Lebanese father. His first novel, Guapa, published in 2016, was awarded a
Stonewall Honour and won the 2017 Polari First Book Prize. His short stories
have been published in a number of anthologies, including most recently in the
Palestinian science fiction anthology “Palestine +100”. Haddad was also
selected as one of the top 100 Global Thinkers of 2016 by Foreign Policy
Magazine. His directorial debut, Marco,
premiered in March 2019 and was nominated for the Iris Prize for Best British
Short. He is currently based in Lisbon.
Saleem will be in conversation with Nadia Atia (QMUL).
There will be an opportunity to buy copies of Guapa, which Saleem
is happy to sign on the day.
East meets west in this high octane dance-off with two titans from the dance world, IMD and Bolly Flex. This show fuses hip hop and Bollywood in four acts, The Greatest Bollywood Showman, The Real Avengers of the UK, The History of Hip Hop and Romeo and Juliet Remixed! Check out glittering examples of cinema’s great dance moves with breath-taking agility and dynamism at Queen Mary’s Great Hall. These tributes and stories use acrobatics and physical theatre and provide the perfect homecoming for both IMD’s Omar Ansah-Awuah and Bolly Flex’s Naz Choudhury to return to their east London roots. Special guest appearances will help ignite this energetic dance spectacular as a reminder that commonalities and differences between cultures can be celebrated in the most exhilarating ways!
A literary conversation between two groups of BAME women – published writers responding creatively to the stories of the SBS support group.
Launching an anthology of writings, Turning the Page, by the SBS Survivors’ Group
Southall
Black Sisters ends its 40th anniversary year with a unique evening,
crowning a year- long series of events to celebrate its survival and
reflect on its history. The anthology represents an intimate engagement,
a two-way literary conversation, between established writers and
emotionally vulnerable women who have found relief in writing about
their troubled lives.
The survivors’ group at Southall Black Sisters have spent six months writing their stories in the company of Rahila Gupta.
Jackie Kay, Moniza Alvi, Meena Kandasamy, Miss Yankey and Rahila Gupta
have written new work in response to the stories written by the SBS
women. Their new work will be published in the book and they will read
from this and other work alongside the SBS women. Imtiaz Dharker will also be performing at this event.
Be uplifted! Break your hearts and recommit yourself to the cause during the 16 days of activism against violence against women.
On the verge of a natural disaster, a prison guard is called into work and discovers a newcomer to the team – an Artificial Intelligence named Sally. When the city is evacuated, what happens to the prisoners?
The final 24 candidates for The Mars Mission Programme have been observed for a month by the public in a reality TV show designed to choose the final four. The public have voted and the candidates are about to be sent off to Mars with no hope of return… as soon as the final confirmation is granted.
Have you ever loved a show so much that you wished you could kidnap all the actors, keep them in your basement and get them to perform it again for you? No? Just Rupert?
Lola, Eleanor Rigby, Brown Sugar, Roxanne, and Monica – you may know their names, you may even remember singing them in the shower or at a party. What you probably don’t know is their stories. Neither do they, but they’re trying to figure it out.
‘Celebrating their final year as Europeans, island monkeys Becca and Louise got invited to the 2018 European Capital of Culture in Malta. Lads on tour…Sh!t Theatre went to drink rum with Brits abroad but found mystery and murder in the fight to be European. Here it is, another excuse for the multi award-winning Sh!t Theatre to get drunk on stage. ‘
‘From an Essex-based, sad, weird kid to a less sad, trans, lesbian loudmouth. She’s grown up, gotten hurt and she’s still here and ready to share in her debut hour. Winner of the Best Comedy Show Award at the Brewery Fringe Festival.’
Criticism and Insight
Bechdel Theatre: BT talk gender and representation on stage and list shows that pass the Bechdel Test.
