ArtsOne – Enhancing Facilities

This post to update you about some exciting developments happening in Arts One on our Mile End Campus. Queen Mary University of London has committed to a major investment aimed at improving and enhancing our arts and culture facilities. The new facilities will ensure that we can continue to support teaching and research that is both world leading, inclusive and accessible to the communities we work with.

The enhanced facilities, for which accessibility has been a driving principle — will include:

  • A new cinema designed by leading architects McFarland-Latter, including the latest in surround-sound and projection technologies;
  • The instalment of new digital technologies for motion capture and ambisonic playback in Rehearsal Room 3;
  • A new production suite adjacent to Rehearsal Room 3 including a fully sound-proofed recording booth, and control facilities for video and audio production;
  • Improved lighting, sound and seating in Room G.34 enabling flexible use as a seminar room, gallery or installation studio;
  • Improvements to the toilet facilities in the Arts One Foyer, including improvements to the accessible bathroom facilities;

There may be some temporary disruption while these works are completed, but we are working hard to keep these to a minimum as much as possible. We will also provide regular updates on progress by email, via a project Sharepoint site, and in details posted within the Arts One Foyer. The construction work will mean some temporary changes to the Arts One Foyer as a work and meeting space, students might like to consider using our online tool to book a study space on our Mile End campus:

Staff can find advice about how to make ad-hoc room bookings via this page.

British Academy Postdoctoral Fellowship Scheme 2021-22 – Applications Invited

Early career researchers seeking support for their application to the British Academy Postdoctoral Fellowship scheme are invited to get in contact with us as soon as possible

Deadline for applications: midday on Friday 17 September 2021

The School of English and Drama invites early career researchers seeking support for their application to the British Academy Postdoctoral Fellowship scheme to get in touch by submitting:

(1) an explanation of the reason(s) for your choice of Queen Mary as the host institution (150 words maximum)

(2) an outline of your proposed programme of research (1,500 words maximum)

(3) details of your planned research outputs, e.g. monograph, journal article(s), book chapter(s), digital resources, events, other (please specify) (300 words maximum)

(4) a list of existing publications (1 page maximum)

(5) a CV (2 pages maximum)

Please submit the above documents to Dr Huw Marsh, Research Manager, sed-research@qmul.ac.uk, by no later than midday on Friday 17 September 2021. Please state ‘British Academy PDRF’ in the subject line.

Your application should demonstrate:

  • that you are eligible according to the BA’s criteria
  • the excellence of your research track record and professional track record (where relevant);
  • your academic record;
  • the research outputs you propose, how you will structure, pursue, and complete your project in the time frame, and its importance;
  • the relevance of QMUL SED to your research and vice versa;
  • who you would like as a mentor and why.

You are strongly encouraged, before submitting your application and time permitting, to find a member of staff in QMUL’s School of English and Drama who will be your nominated mentor, provisionally agree their support, and get some feedback from them on a draft application. Please note this in statement (1).

Full scheme details can be found on the British Academy website: http://www.britac.ac.uk/british-academy-postdoctoral-fellowships

All outline proposals will be considered by our Directors of Research and those that we give institutional support to will have approximately one month to finalise their online application, due by 14 October 2021.

Mad Hearts: The Arts and Mental Health Review By Ana Claudia De Castro Lima

By Ana Claudia De Castro Lima

This two-day online event explored productive, radical, contemporary encounters between the arts and mental health, bringing together clinical, artistic, and research perspectives that offered a re-interpretation of contemporary mental health science and practice, with a view of imagining a different future. This event was joined by more than 100 people including survivors, service users, mental health professionals, artists and researchers interested in how the arts can contribute to mental health.

The conference was opened by photographic artist Daniel Regan, who shared his discovery of the power of the arts in his own mental health journey. Daniel discussed the shame and stigma of living in crisis and how transforming his relationship to his lived experience turned it into his greatest asset. Consultant psychiatrist Dr Tom Cant introduced Peer Supported Open Dialogue and the ODDESSI* trial, a multicentre randomised control trial funded by the National Institute for Health Research. Developed in Finland in 1986, Open Dialogue is a social network model of mental healthcare where the person of concern is genuinely offered the power to define their recovery.

[*ODDESSI stands for Open Dialogue: Development and Evaluation of a Social Network Intervention for Severe Mental Illness]

On the second day, the artist keynote was given by playwright and theatre director Julie McNamara, an outspoken survivor of the mental health system, who works with people from locked-in spaces, foregrounding the stories of disavowed voices from the margins of our communities. People who have lived in long-care hospitals are not ordinarily perceived as artists and storytellers with meaningful contributions to make in our cultural industries. Julie talked about her creative process, staging the voices of women who transgress, women who fail to perform femininity as constructed in this ableist, patriarchal society. Lived expert consultant Amanda Griffith introduced the Power Threat Meaning Framework (PTMF), a radical approach to understanding emotional distress and wellbeing that is attracting interest both nationally and internationally. Aimed at a wide range of stakeholders, the framework highlights the links between personal, family and community distress and wider issues arising from social inequalities and injustices. This gives particular attention to the experiences of people and groups who have been exposed to abuses of power on the basis of their race, ethnicity, gender, class, religion, nationality, age, sexuality, disability, or their status as a mental health service user, and the way these identities and associated experiences of power intersect.

A series of panels invited discussion on different topics. In the panel led by the Centre for the History of Emotions at Queen Mary, the audience applauded the concept of “emodiversity”, developed as part of a programme for emotional literacy in primary schools, a superb pilot run by Prof Thomas Dixon.

Conference delegates participated in a Creative Enquiry all group activity, led by Dr Louise Younie, pioneer of the creative enquiry approach for flourishing in medical education. Moreover, selected participants were invited to present their artworks of poetry, painting and music: a delightful moment, inviting both aesthetic pleasure and reflection.

During discussions and reflections raised by this momentous event, the audience was enraptured and applauded the presented projects and innovative practices. Also, organizers and the public felt stimulated to discover new alternative approaches to mental health for future times, taking into account above all creativity, open dialogue, and direct participation from users of the health system.

It was clear that the bio-scientific, logical-rational, reductionist, and mechanistic model of mental health needs updating. An empathetic look, which gives rise to interpretive and communication abilities, is necessary to approach the idiosyncratic narratives brought by survivors and service users. In addition, the well-established hierarchy relationships within the mental health medical environment, which highlight authority and power, oppress and make stagnant the creativity and humanization that should permeate all human relationships. All this misinterpretation over mental health care leads to overly rigid and standardized models of approach, lacking human connection.

Hence, health professionals need to be open to access subjectivity and make deeper connections, giving voice and opportunity for self-expression. Ultimately, the arts seem to be a catalyst tool to materialize the inner turmoil of mental disorders, providing opportunities for representation and meaning-making, as well as being a fantastic means to well-being.

Performance Possession & Automation Event Series

Performance, Possession & Automation – a collaborative research project led by Nick Ridout and Orlagh Woods, in collaboration with Dhanveer Singh Brar – invites you to two online conversations.

Possession & Modern Acting

Friday 4th June, 6-8pm (BST)

Online

Shonni EnelowJulia Jarcho and Nicholas Ridout 

Possession: an actor seems to have been taken over by someone else.

Automation: an actor is someone whose actions are not their own.

In this public conversation, Shonni Enelow, Julia Jarcho and Nicholas Ridout explore ideas about possession and automation in relation to 20th and 21st century experiences of acting, theatre and the movies. Do they hold clues to the roles that both possession and automation play in contemporary life, and to how we might think and feel about them.

Click here, to book your place and for further information.

I was born a loser

Friday 11th June, 6-8 pm (BST)

Online

Edward George and Dhanveer Singh Brar 

What occurs when “lose her” is recast as “loser”, and covered over once more to become “winner”? And why in each reversioning does “pride” persist, but never in the same guise? These are questions which arise from listening to the Jamaican essayist of the song form, Alton Ellis.

By losing ourselves in Alton Ellis’s losses and revisions, Edward George and Dhanveer Singh Brar believe it is possible to begin to open up an auditory dimension to the question of spirit in Jamaica, the Caribbean, the diaspora, and in turn, modernity itself, as it was being rendered towards the end of the twentieth century.

Click here, to book your place and for further information.

Performance, Possession & Automation is a research project exploring automation and possession as two ways of thinking about what happens to human subjects who act in ways that they do not themselves fully control. How can making and thinking about performance contribute to thinking about these ideas?

In partnership with Fierce Festival, performingborders and Transform Festival

This project is supported by:

Collaborations Fund of the Faculty of Humanities and Social Sciences, Queen Mary University of London (QMUL)
The Centre for Public Engagement, QMUL
Strategic Research Initiative, School of English and Drama, QMUL

Let’s Talk About Mental Health – Essential Links and Resources

Thanks to Nathalie Grey in our alumni engagement team who shared this list from the event held on 4 March 2021…

  • Sandeep Saib’s (QMUL Alumna) personal social media links:
  • Happy Heads Organisation:

Interview with Professor Margaret Reynolds on new book ‘The Wild Track: Adopting, mothering, belonging’

We caught up with our very own Margaret Reynolds to talk about her new Penguin book The Wild Track: Adopting, mothering, belonging.

Professor Reynolds has recently been featured in The Guardian and the Telegraph and has interviews with Talk Radio, Times Radio, Monocle Radio, about the book and her experiences of adoption and writing the book with her daughter Lucy.

Here’s what she could tell us…


Tell us about your new book ‘The Wild Track: Adopting, mothering, belonging’. How did it come about and what can readers expect?

I adopted my daughter 12 years ago when she was six. And from the first, I used to jot down things that happened to us, little stories about our lives together. Then two years ago I heard a couple of things that reminded me how hard adoption can be, how often (very sadly) it does not work out. But we were still here! So I wanted to encourage others, so show how amazing and important adoption can be in helping children – who necessarily have difficult beginnings – in going on to make a success of their lives.

How has it been working with your daughter on the book? What do you think the book has to say to mothers around the world?

I showed the original version of the book to someone who said ‘don’t you think Lucy should have a voice?’. And I knew he was right! Politically, ethically it is always right to listen to the voices of children. So I asked her to write some sections.  In fact, it was great doing this. We have talked a lot about our different experiences and about the things we share.

Mothers are all different. Always, everywhere. There is no such thing as one ‘motherhood’. But there might be overlaps, and there might illumination and there might be a shared understanding, a recognition and acceptance which could be a positive for both mothers and children.

What 3 books would you recommend to readers after reading your book of course?

Jacqueline Rose, Mothers: An Essay on Love and Cruelty, Rachel Cusk, A Life’s Work, Sarah Knott, Mother: An Unconventional History.

Are there any lockdown lifelines that have kept you going in the last year?

Growing vegetables, going for long walks with our dog, watching classic films, cooking, noticing the seasons, planning a long trip to remote Greek islands.

Call for Papers – Queen Mary PGRS Virtual Conference ‘Contagion: Spread the Word’

Queen Mary PGRS Virtual Conference:
Contagion: Spread the Word 12 July 2021

Keynote Speaker: Dr Elizabeth Outka (University of Richmond)
Due to the global pandemic, the word “contagion” may instantly inspire thoughts related to sickness or disease, but “contagion” has numerous metaphorical applications as well. William S. Burroughs in The Adding Machine (1986) states that:

“The Word is literally a virus, and that it has not been recognized as such because it has achieved a state of relatively stable symbiosis with its human host […]. The Word clearly bears the single identifying feature of virus: it is an organism with no internal function other than to replicate it-self.”


This one-day, interdisciplinary conference is organised by the English Department’s Postgraduate Research Seminar (PGRS) Committee at Queen Mary University of London: https://queenmaryenglish.wordpress.com/conferences/contagion-conference/.

We welcome proposals from graduate researchers in literature and related disciplines that ex-plore the theme of “contagion” across periods and genres.
We encourage broad interpretations of the theme.

  • Possible topics include but are not limited to:
  • Historical outbreaks of disease
  • Epidemiology literature
  • Legal developments regarding medicine and medical qualifications
  • Medical figures in history and literature
  • Sickness/disease as metaphor
  • Spread of literacy and knowledge vs censorship
  • Letters and postal systems, epistolary novels
  • Spread of literature through social media
  • Spread of (mis)information
  • Illness and prejudice
  • Imaginative contagion (e.g. the outbreak narrative, ‘zombie culture’, vampire fiction)
  • Bloodlines and the preoccupation with birth and class
  • Migration narratives and travel writing

A 250-word abstract and 50-word biography should be submitted to qmenglishpgrs@qmul.ac.uk by 1st May 2021.

AHRC LAHP Collaborative Doctoral Award: ‘Decolonising the Sloane Herbarium’

Decolonising the Sloane Herbarium

Queen Mary University of London (QMUL) and the Natural History Museum (NHM) are pleased to announce the availability of a fully funded doctoral grant from October 2021.

This studentship is funded for 3.5 years full time (or part-time equivalent). The project will investigate provenance information for the botanical specimens in the Sloane Herbarium, a foundation collection of NHM, to re-imagine our understanding of its global and imperial dimensions.

The successful candidate will combine archival research and special collections handling with digital methods for structuring humanities data in order to surface hidden histories within the Sloane Herbarium, not least by building a resource that supports future generations of scholars.

A full description of the project objectives and application process is available in the Further Particulars.

This studentship is funded through the AHRC’s Collaborative Doctoral Awards (CDA) scheme via the London Arts & Humanities Partnership (LAHP) of which QMUL is a member. The studentship includes a stipend at the Research Council UK Home / EU rate (£17,609 per annum in 2021/22) plus fees for 3.5 years. The awarded candidate will also be entitled to a £550 per annum stipend top-up. Studentships can be either full or part-time. As a LAHP student, the successful candidate will have full access to the LAHP Doctoral Training Partnership development activities and networking opportunities, joining a cohort of about 90 students per year.

CDA grants provide funding for doctoral students to work on a project in collaboration with an organisation outside higher education. They are intended to encourage and develop collaboration and partnerships and to provide opportunities for doctoral students to gain first-hand experience of work outside the university environment. They enhance the employment-related skills and training available to the research student during the course of the award. Collaborative Doctoral Awards are not only a route into academia but also provide hands-on work experience in the cultural sector and transferrable skills.

This project will be jointly supervised by Dr Richard Coulton (QMUL) and Dr Mark Carine (NHM), with further supervisory input from Professor Markman Ellis (QMUL) and Miranda Lowe (NHM). The student will be expected to spend time at both QMUL and NHM, as well as becoming part of the wider cohort of LAHP funded students across the capital.

We want to encourage the widest range of potential students to study for this Collaborative Doctoral Award and are committed to welcoming applicants from different backgrounds. Candidates may come from a variety of disciplinary backgrounds (e.g. archaeology, anthropology, literary or cultural studies, history, heritage studies, natural history, history and philosophy of science, museum studies, archive and information studies). Some experience of historical collections handling and/or digital humanities will be of benefit.

Potential candidates are welcome to contact Dr Richard Coulton (r.x.coulton@qmul.ac.uk) and Dr Mark Carine (m.carine@nhm.ac.uk) before preparing an application.

The successful candidate will commence their PhD in October 2021. They will hold their doctoral training grant in the Faculty of Humanities and Social Sciences at Queen Mary University of London, and will work in partnership with the Natural History Museum.

Applications must be made in two phases:
Firstly to QMUL by 5pm on Friday 29 January 2021
Secondly to LAHP by 5pm on Friday 5 February 2021

You must complete the QMUL process first in order to include your QMUL application ID reference number on the LAHP CDA application form.

Interview date: TBC (late March / early April)

Women / Theatre / Justice Project Launches with Website, Twitter + Events

Our very own Caoimhe McAvinchey is part of the research team on this innovative AHRC project around Clean Break Theatre company and working with women in the criminal justice system.

Events as part of the series include Working with Incarcerated Women in the Context of COVID 19.

The aim

The Women/Theatre/Justice project aims to:

  • Examine Clean Break’s impact on contemporary British theatre and the lives of the women it works with.
  • Examine Clean Break as an organisation, run by women for women, with distinctive organisational practices characterised by learning through listening to the voices of those involved in its work. It considers the implications of these practices for management and leadership more widely. 
  • Create opportunities for artists, academics, women with experience of the criminal justice system and those who work with them, to share their expertise through seminars, training, podcasts and teaching resources. 

The research is supported by the National Criminal Justice Arts Alliance and Women in Prison.

About the project

Women/Theatre/Justice is the umbrella title for research and public engagement activities that are part of Clean Break: Women, Theatre, Organisation and the Criminal Justice System (2019-2021). This interdisciplinary Arts and Humanities Research Council (AHRC) funded project is led by academics in theatre and performance studies and work and employment relations, in partnership with Clean Break theatre company.

Clean Break was initiated by women in HMP Askham Grange (UK) in 1977 and has since become an internationally recognised theatre, education and advocacy organisation that places stories of women, crime and punishment centre stage. 

Through seminars, conferences, training, exhibitions, podcasts and publications, the project examines wider issues including: the criminalisation of women; theatre practices with incarcerated women in different cultural contexts; gender, organisation and leadership; worker voice; the role of higher education in partnerships within the criminal justice system; implications of COVID-19 for incarcerated women and the response of arts organisations.

A Season of Bangla Drama 2020 – An Unmissable British-Bengali Lockdown Treat

A Season of Bangla Drama

12-21 November – Online

Join a festival of free online events including coming of age poetry by local young people, a cook-a-long, community panels and eye-opening plays that explore the British-Bengali perspective. QMUL is a key partner and sponsor.

3 Things Still to Do in Black History Month

1. Diaspora Speaks and PEACH Magazine are excited to present: On Black Voices! – 22 October

2. Ankhi Mukherjee is talking about Nigerian American writer and photographer Teju Cole for our Lisa Jardine Annual English Lecture – 22 October

3. Prof Susheila Nasta MBE is in conversation with Helen Thomas

Professor Susheila Nasta MBE and Dr Helen Thomas will discuss their long histories within the world of black writing and publishing.

The event will celebrate the publication of a free e-book: Black Agents Provocateurs – 250 Years of Black British Writing, History and the Law, 1770-2020 written by Helen Thomas and also the publication of the first Cambridge History of Black and Asian British Writing, edited by Susheila Nasta and Mark Stein.

They will discuss questions around:

  • the politics of publishing and editing
  • how they created their books
  • shifting definitions of black British writing
  • he importance of decolonising the school and university curricula

Mad Hearts – Arts and Mental Health – 2020 Conference – Key Takeaways

by Magali Kelly Frea Scholtis, MSc Creative Arts and Mental Health

Mad Hearts 2021 is in planning now so please follow us on Twitter to find out when booking opens.

On Friday 19 June 2020, the MSc Creative Arts and Mental Health organised the Second Edition of the Mad Hearts Conference, with the theme ‘Solitude and the Encounter’.

This one-day webinar included a conversation with Professor Femi Oyebode, a Professor of Psychiatry at the University of Birmingham, about the inner self and the function of imagination, drawing insights from Fernando Pessoa’s ‘The Book of Disquiet’. This was followed by Laura E. Fischer, an artist, mental health activist, and survivor-researcher who specialises in trauma. She spoke of reclaiming authorship of the trauma narrative through creative expression and she discussed how healing through art depends on three components: survivor leadership, embodiment and creativity.

The final speaker was John Richardson, a filmmaker (see Simon Says: Psychosis) and podcast presenter (Coffee and Psychosis), who sheds light on the mental health system through his documentary work. He spoke of his encounters with the mental health system, what was helpful and unhelpful to his recovery, and how he strives to be true to his values and remain authentic despite the pressure to conform to corporate views both in mental health and in film-making.

After the talks, three artists were nominated to discuss their creative work, which were submitted to the Creative Enquiry stream of the conference, together with a reflection on the theme ‘Solitude and the Encounter’. The painting ‘Shades of Solitude’ by Grace Catchpole, uses colour to capture the nuances of the experience of loneliness, from a peaceful place to rest to a darker experience of grief. The short film ‘Sound’ by Lorna V. represents the funny side of a missed online encounter, that between a client and her therapist, when the client can’t be heard because of a technological glitch and ends up talking to herself. Finally, the short animation ‘Plastic Bag’ by Harris Nageswaran reveals the power of a plastic bag to carry goods but especially love and care to those isolated in hospitals during the lockdown. The artwork ‘Isolation, a familiar issue disguised differently’, by Muhammad Umer, was chosen as the image for Mad Hearts 2020 for its portrayal of a person seen and not seen by the viewers, through the partly deceptive reflection of a mirror. You can view all submissions on the following website: https://sites.google.com/view/mad-hearts-2020/home.

Plastic Bag by Harris Nageswaran
Plastic Bag by Harris Nageswaran

The Mad Hearts Conference ended with a group discussion that included both participants and speakers. During these conversations, we heard from people from all different backgrounds, such as specialists in mental health, users of mental health services, medical students and students of the MSc Creative Arts and Mental Health. Together we delved into contemporary encounters concerning the arts and mental health, uniting clinical, artistic and research perspectives.

During said discussions, we reflected on the contribution of the arts to mental health practice, the agency in one’s own healing, equality in mental health services and the power of isolation. These conversations are important to encourage re-interpretations of contemporary mental health science and practice. It is thus crucial that we continue these discussions!

Mad Hearts 2021 is in planning now so please follow us on Twitter to find out when booking opens.

British Academy Postdoctoral Fellowship Scheme 2020-21 – Applications Invited

Early career researchers seeking support for their application to the British Academy Postdoctoral Fellowship scheme are invited to get in contact with us as soon as possible

Deadline for applications: midday on Wednesday 16 September 2020

The School of English and Drama invites early career researchers seeking support for their application to the British Academy Postdoctoral Fellowship scheme to get in touch by submitting:

(1) an explanation of the reason(s) for your choice of Queen Mary as the host institution (150 words maximum)

(2) an outline of your proposed programme of research (1,500 words maximum)

(3) details of your planned research outputs, e.g. monograph, journal article(s), book chapter(s), digital resources, events, other (please specify) (300 words maximum)

(4) a list of existing publications (1 page maximum)

(5) a CV (2 pages maximum)

Please submit the above documents to Dr Huw Marsh, Research Manager, sed-research@qmul.ac.uk, by no later than midday on Wednesday 16 September 2020. Please state ‘British Academy PDRF’ in the subject line.

Your application should demonstrate:

  • that you are eligible according to the BA’s criteria
  • the excellence of
    • your research track record and professional track record (where relevant);
    • your academic record;
    • the research outputs you propose, how you will structure, pursue, and complete it in the time frame, and its importance;
  • the relevance of QMUL SED to your research and vice versa;
  • who you would like as a mentor and why.

You are strongly encouraged, before submitting your application and time permitting, to find a mentor, provisionally agree their support, and get some feedback from them on a draft application.

Full scheme details can be found on the British Academy website: http://www.britac.ac.uk/british-academy-postdoctoral-fellowships

All outline proposals will be considered by our Directors of Research and those that we give institutional support to will have approximately one month to finalise their online application, due in mid-October 2020 (precise date tbc by the British Academy).

New books published by Rachael Gilmour and Huw Marsh

The School of English and Drama are delighted to announce the publication of ‘Bad English‘ by Dr Rachael Gilmour and ‘The Comic Turn in Contemporary English Fiction‘ by Dr Huw Marsh.

Read more about the books below…

Bad English

Literature, multilingualism, and the politics of language in contemporary Britain

Dr Rachael Gilmour

Bad English investigates the impact of increasing language diversity, precipitated by migration, globalisation, and new forms of communication, in transforming contemporary literature in Britain. Considering writers whose work engages experimentally, playfully, and ambivalently with English’s power, while exploring what it means to move between forms of language, it makes the case for literature as the pre-eminent medium to probe the terms of linguistic belonging, and for a diverse and growing field of writing in Britain defined by its inside/outside relationship to English in its institutionalised forms.

Bad English offers innovative readings of writers including James Kelman, Tom Leonard, Suhayl Saadi, Raman Mundair, Daljit Nagra, Xiaolu Guo, Leila Aboulela, Brian Chikwava, and Caroline Bergvall. Drawing on insights from applied linguistics and translation studies as well as literary scholarship, it will appeal to students and academics across these disciplines.

The Comic Turn in Contemporary English Fiction

Who’s Laughing Now?

Dr Huw Marsh

The Comic Turn in Contemporary English Fiction explores the importance of comedy in contemporary literature and culture. In an era largely defined by a mood of crisis, bleakness, cruelty, melancholia, environmental catastrophe and collapse, Huw Marsh argues that contemporary fiction is as likely to treat these subjects comically as it is to treat them gravely, and that the recognition and proper analysis of this humour opens up new ways to think about literature. Structured around readings of authors including Martin Amis, Nicola Barker, Julian Barnes, Jonathan Coe, Howard Jacobson, Magnus Mills and Zadie Smith, this book suggests not only that much of the most interesting contemporary writing is funny and that there is a comic tendency in contemporary fiction, but also that this humour, this comic licence, allows writers of contemporary fiction to do peculiar and interesting things – things that are funny in the sense of odd or strange and that may in turn inspire a funny turn in readers. Marsh offers a series of original critical and theoretical frameworks for discussing questions of literary genre, style, affect and politics, demonstrating that comedy is an often neglected mode that plays a generative role in much of the most interesting contemporary writing, creating sites of rich political, stylistic, cognitive and ethical contestation whose analysis offers a new perspective on the present.

Karina Lickorish Quinn (PhD at QMUL)’s debut novel Mancharisqa to be published by Oneworld

Creative Writing PhD Karina Lickorish Quinn’s debut novel Mancharisqa, or The Dust Never Settles will be published by Juliet Mabey at Oneworld Publications after a competitive auction.

Mancharisqa is an ambitious and formally inventive literary epic about haunting and counterhistories, adopting the traditional Andean concept of cyclical time in a manner reminiscent of One Hundred Years of Solitude, and the novels of Bolaño, suffused with the surreal atmosphere of Ishiguro’s The Unconsoled.

Mancharisqa formed part of Karina’ PhD thesis, which she completed at School of English and Drama at Queen Mary University of London under the supervision of Director of Creative Writing, Professor Patrick Flanery and Head of English, Dr Rachael Gilmour.

Anaïs Echeverría Gest flies to Lima to oversee the sale of her childhood home, La Casa Echeverría. It is a house full of ghosts, literal and otherwise, of her ancestors and of the maid who fell to her death from its balcony, around whom myths circulate and from whom miracles are sought. Everything that happens – in Anaïs’s childhood, her return to the house in the present day, and in all the stories in between – begins to overlap until the stories are all inextricably entwined. The novel ends with a birth, an earthquake, and the discovery of something disturbing beneath that cursed yellow house on the hill – the past will not remain silent and the ancestors demand to be reckoned with.

Juliet Mabey, the acquiring editor at Oneworld, comments, ‘I fell completely and utterly in love with this mesmerising, intense, multi-layered novel as soon as I started reading. The tone is wonderfully mystical and haunting, with echoes of other great Latin American writers without feeling remotely derivative. A stunningly original saga of an expansive, complex, troubled family in Peru, it is conveyed with a lightness of touch that belies its debut status, and I could not be more thrilled to feature Karina’s astonishing writing on my literary fiction list. There is really nothing else like it.’

“I’m thrilled to be joining Oneworld and their list of remarkable, talented authors. I have long admired Juliet Mabey and Oneworld for their commitment to introducing readers to a range of cultures and voices from across the world. And thank you to my wonderful agent, Seren Adams, for believing in me and my work. Mancharisqa could not have found a better home.”

Karina is a bilingual, Peruvian-British writer. She has a BA from Oxford University, an MA from UCL, and recently completed her PhD in Creative Writing here at Queen Mary University of London. Her short fiction is featured in Un Nuevo Sol, the first major anthology of British-Latinx writers, published by Flipped Eye Publishing. Her work has also appeared in Longitūdinēs, The Offing, Asymptote, The Journal of Latina Critical Feminism, and Palabritas. In 2016 she was shortlisted for The White Review’s short story prize.